One painting and one poem, using classical poetry to interpret modern photography

Photography as a plastic art has a history of more than two hundred years. When classical poetry is combined with modern plastic art, what kind of sparks will it encounter?

One painting and one poem, using classical poetry to interpret modern photography
 
THE water overflows in the Hibiscus marsh, and the flowers are flying with peaches and plums. —Xue Daoheng “Xi Xi Salt” 
One painting and one poem, using classical poetry to interpret modern photography
 
 
After Dongli put the wine at dusk, there was a dark fragrance. ——Li Qingzhao “Drunken Flower Yin”
 

One painting and one poem, using classical poetry to interpret modern photography

Tang Dynasty: Zhao Gu Thinking alone on the Jiang Tower, the moonlight is like water and sky. Where is Mochizuki? The scenery is vaguely like last year.

 

One painting and one poem, using classical poetry to interpret modern photography

 

Xiaozhongshan · Willows and Flowers Are Deep in Spring”

Author: Southern Song Zhang intuitive ability.

The willows are deep in the spring. Xiaolan red peony, hairpin has been drawn. Yuyu wind softly breaks songbirds. After a long time, there is still a bit of overcast. Do not ponder the past. The time of body leisure is good, and it is coming. The old tour is nowhere to be found. There is nowhere to find, but the young heart.

 

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